for the Period Ended 30 November 2023
Directors report | |
Profit and loss | |
Balance sheet | |
Additional notes | |
Balance sheet notes | |
Community Interest Report |
Directors' report period ended
The directors present their report with the financial statements of the company for the period ended 30 November 2023
Principal activities of the company
Directors
The directors shown below have held office during the whole of the period from
1 December 2022
to
30 November 2023
The above report has been prepared in accordance with the special provisions in part 15 of the Companies Act 2006
This report was approved by the board of directors on
And signed on behalf of the board by:
Name:
Status: Director
for the Period Ended
2023 | 2022 | |
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£ |
£ |
Turnover: |
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Cost of sales: |
(
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(
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Gross profit(or loss): |
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Distribution costs: |
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Administrative expenses: |
(
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(
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Other operating income: |
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Operating profit(or loss): |
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( |
Interest receivable and similar income: |
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Interest payable and similar charges: |
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Profit(or loss) before tax: |
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( |
Tax: |
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Profit(or loss) for the financial year: |
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( |
As at
Notes | 2023 | 2022 | |
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£ |
£ |
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Fixed assets | |||
Intangible assets: |
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Tangible assets: |
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Investments: |
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Total fixed assets: |
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Current assets | |||
Stocks: |
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Debtors: | 3 |
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Cash at bank and in hand: |
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Investments: |
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Total current assets: |
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Prepayments and accrued income: |
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Creditors: amounts falling due within one year: | 4 |
(
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(
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Net current assets (liabilities): |
( |
( |
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Total assets less current liabilities: |
( |
( |
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Creditors: amounts falling due after more than one year: |
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Provision for liabilities: |
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Accruals and deferred income: |
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Total net assets (liabilities): |
( |
( |
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Members' funds | |||
Profit and loss account: |
( |
( |
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Total members' funds: |
( |
( |
The notes form part of these financial statements
This report was approved by the board of directors on
and signed on behalf of the board by:
Name:
Status: Director
The notes form part of these financial statements
for the Period Ended 30 November 2023
Basis of measurement and preparation
Turnover policy
Other accounting policies
for the Period Ended 30 November 2023
2023 | 2022 | |
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Average number of employees during the period |
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for the Period Ended 30 November 2023
2023 | 2022 | |
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£ | £ | |
Trade debtors |
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Prepayments and accrued income |
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Other debtors |
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Total |
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Debtors due after more than one year: |
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for the Period Ended 30 November 2023
2023 | 2022 | |
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£ | £ | |
Bank loans and overdrafts |
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Amounts due under finance leases and hire purchase contracts |
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Trade creditors |
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Taxation and social security |
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Accruals and deferred income |
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Other creditors |
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Total |
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Sound Art Brighton SAB launched the Listen Club as a free monthly event at The Rose Hill an evening of listening to a selection of unusual and exciting music and soundworks curated by SAB members and guest curators. The programmes are either thematically or related to the interest of the guest curator focused on listening with others in a physical space and on the exchange of thoughts and impressions. Listen Club continues to build a listening community of specialists and interested citizens in the heart of Brighton In the period under review SAB ran eight successful Listen Clubs at the Rose Hill and two in other places. SAB launched a monthly Newsletter to announce its current activities and those of its members and affiliate organisations as well as to pass on open calls for work and report on events SAB members have attended. SAB collaborated with Brighton CCA on 2 projects a thematic Listen Club Extra inside the exhibition A Quiet Fire by Billie Zangewa and at an artist talk with Giles Perring at the Exposure exhibition. SAB collaborated with the School of Art and Media on a one day conference event Nexus Art Sound with national and international guests for which the confirmed money was withdrawn at the last moment as a consequence of financial chaos and mismanagement at the University of Brighton. This also forced the closure of the Brighton Centre for Contemporary Arts which terminated SABs very successful collaboration with them. SAB joined the Ecomusicological Project at Stanmer Organics a collaboration between five Brighton sound organisations Lost Property, Brighton and Hove Music for Connection, The Rose Hill, At the Coach House and Sound Art Brighton on our sound and music focused plot at Stanmer Organics a community nonprofit organisation occupying 17 acres of council land in Stanmer Park. We facilitate sound art, workshops, listen gatherings, sound walks performances, artist talks and collaborations. SAB was invited to take part in two special projects which furthered the relation with the sound community in Brighton andHuddersfi eldWe made a successful proposal for funding for the Outlands Exchange project in which we collaborated with AME in Huddersfield. We invited David Velez to Brighton to take part in Sound Plotting at The Rose Hill in Brighton. In return we sent Julian Weaver to Huddersfield to perform at the Zero Parameters Festival. SAB was invited to organise and lead two workshops as part of the ProjectOurs residency at Phoenix Art Space Laila Riis and Joshua Le Gallienne presented at an event entitled Listening Creatively. SAB members were involved in several production and networking activities. Directors Kersten Glandien and Joshua Le Gallienne attended the UK networking meeting at the Sonic Arts Week in Middlesbrough. SAB core member Olivia Louvel presented her installation Doggerland Channels at the Middlesbrough Art week. SAB core members Chris Sciacca and Kersten Glandien produced the radio piece into the wild as SABs contribution to the World Listening Day which was broadcast by Resonance Extra. The piece was subsequently chosen as Resonance FMs specialcontribution to Radia Network and broadcast by 20 stations in 13 European countries. SAB core member Olivia Louvel received the Ivor Novello Award forBest Sound Art for her composition LOL. The work wasproduced by SAB. SAB artistic director Kersten Glandien delivered the key note The 4th Dimension Sound Arts Relation to Architecture at the annual conference of the Auditive Culture and Sound Studies Section of the German Society for Media Studies at Bern University of the Arts Olivia Louvel attended an artist residency in Seyisfjrur Iceland at the Skaftfell Center for Visual Art. Joshua Le Gallienne was part of FieldNotes an interdisciplinary residency at the Kilpisjrvi Biological Station Finland.
The company's stakeholders are currently the board of members and our volunteers. We hold weekly meetIngs with stakeholders todecide on all actions and further directions the CIC will take.
No remuneration was received
No transfer of assets other than for full consideration
This report was approved by the board of directors on
27 August 2024
And signed on behalf of the board by:
Name: Kersten Glandien
Status: Director