for the Period Ended 31 January 2025
| Profit and loss | |
| Balance sheet | |
| Additional notes | |
| Community Interest Report |
for the Period Ended
| 2025 | ||
|---|---|---|
|
|
£ |
|
| Turnover: |
|
|
| Cost of sales: |
(
|
|
| Gross profit(or loss): |
|
|
| Distribution costs: |
(
|
|
| Administrative expenses: |
(
|
|
| Other operating income: |
|
|
| Operating profit(or loss): |
( |
|
| Interest receivable and similar income: |
|
|
| Interest payable and similar charges: |
|
|
| Profit(or loss) before tax: |
( |
|
| Tax: |
|
|
| Profit(or loss) for the financial year: |
( |
As at
| Notes | 2025 | ||
|---|---|---|---|
|
|
£ |
||
| Fixed assets | |||
| Intangible assets: |
|
||
| Tangible assets: |
|
||
| Investments: |
|
||
| Total fixed assets: |
|
||
| Current assets | |||
| Stocks: |
|
||
| Debtors: |
|
||
| Cash at bank and in hand: |
|
||
| Investments: |
|
||
| Total current assets: |
|
||
| Prepayments and accrued income: |
|
||
| Creditors: amounts falling due within one year: |
|
||
| Net current assets (liabilities): |
|
||
| Total assets less current liabilities: |
|
||
| Creditors: amounts falling due after more than one year: |
|
||
| Provision for liabilities: |
|
||
| Accruals and deferred income: |
|
||
| Total net assets (liabilities): |
|
||
| Members' funds | |||
| Profit and loss account: |
|
||
| Total members' funds: |
|
The notes form part of these financial statements
This report was approved by the board of directors on
and signed on behalf of the board by:
Name:
Status: Director
The notes form part of these financial statements
for the Period Ended 31 January 2025
Basis of measurement and preparation
for the Period Ended 31 January 2025
| 2025 | ||
|---|---|---|
| Average number of employees during the period |
|
The company’s activities and impact During the financial period 24 January 2024 to 23 January 2025, Black Lives Natter CIC delivered and developed the SpeakEasy Programme, a year-round community-arts programme held at Theatre Deli London and online. SpeakEasy Page-to-Stage writing workshops and short courses launched in March 2024 and ran throughout the year, with around 20 participants taking part across 12 sessions. SpeakEasy Po’JaM, a bi-monthly open-mic night for music and spoken-word artists, launched in July 2024, hosted by programme director Eljai Morais at Theatre Deli. Across six Po’JaM events there were typically three resident artists, a host and between four and six additional open-mic performers per event, with audiences of around 10 to 15 people with a combined total of about 90 people across the year. One Po’JaM event was streamed online. SpeakEasy Co’LaB, a free creative drop-in, was developed during 2024 in preparation for launch in 2025. The company began collecting book donations for a planned Pop-Up Bookshop to circulate Black and Global Majority literature at future community events. Digital engagement included roughly 1,000 followers across social platforms and around 300 visitors to the website, which also hosts the company’s podcasts. Activities were free or low-cost, generating £196 in income from ticket sales and donations, with additional costs met through voluntary contributions. Alongside programme delivery, the company focused on building organisational infrastructure, developing policies, safeguarding procedures and internal systems to support access to future core and arts funding. The company is run voluntarily by Eljai Morais, with three resident artists who perform as part of the Po’JaM events but do not undertake administrative or production work. Activity is centred on planning, delivery and community engagement to increase access, representation, engagement and inclusion in the arts for Black and Global Majority communities
Black Lives Natter CIC’s stakeholders include Theatre Deli London (where the company is a resident organisation), voluntary staff, programme artists, event participants, audiences, and members of the wider community who engage with our work. Consultation takes place through regular discussions and meetings with Theatre Deli about programming, safeguarding and policy development, and through ongoing communication with voluntary staff and programme artists about event delivery and planning. Feedback is gathered from audiences and community members at events, through online engagement, and by reviewing data on attendance and participation. This consultation has helped shape the company’s core programme and priorities, ensuring activities respond to community needs. It has also informed the development of internal policies, safeguarding measures and access and inclusion work, including updates to intake forms and organisational structures that support safe, inclusive and accessible creative spaces for the communities we serve.
No remuneration was received
No transfer of assets other than for full consideration
This report was approved by the board of directors on
23 October 2025
And signed on behalf of the board by:
Name: Eljai Morais
Status: Director