Registered number
03539586
Charity Registration number
1088823
Northern Roots
Report and Accounts
31 March 2025
Northern Roots
Report and accounts
Contents
Page
Company information 1
Directors' report 2 - 9
Independent examiner's report on the accounts 10
Profit and loss account 11
Balance sheet 12
Notes to the accounts 13
Northern Roots
Company Information
Directors
K Dougherty
O Nuga (appointed 25/6/25)
R Mather
R Perdik
M Qureshi (appointed 25 June 2025)
T Ali (resigned 27 November 2024)
K Dubois
B Mamuini (resigned 21 April 2024)
S Eskias (appointed 27 November 2024)
L Naruse
Secretary
K Dougherty
Accountants
Bell Anderson Limited
Lindum
264-266 Durham Road
Gateshead
Tyne and Wear
NE8 4JR
Registered office
Office 44
63 High Bridge
Newcastle upon Tyne
Tyne and Wear
NE1 6BX
Registered number
03539586
Charity registration number
1088823
Northern Roots
Registered number: 03539586
Trustees' Report
The Trustees present their report and accounts for the year ended 31 March 2025.
The accounts have been prepared in accordance with the accounting policies set out in note 1 to the accounts and comply with the governing document, the Companies Act 2006 and follow the Charities SORP (FRS 102) .

Structure, governance and management

The Charity is a company limited by guarantee. The company was established under the Memorandum of Association which established the objects and power of the charitable company and is governed under the Articles of Association. In the event of the company being wound up members are required to contribute an amount not exceeding £1.

The Trustees have assessed the major risks to which the Charity is exposed, and are satisfied that systems are in place to mitigate exposure to the major risks.
Objectives and activities
The objects of the Charity is to foster and promote the arts in society for the benefit of the general public in the United Kingdom but in particular the North-East of England by developing public appreciation of the arts and by improving public access to the arts and the quality of the arts. The Trustees have paid due regard to guidance issued by the Charity Commission including that regarding public benefit in deciding what activities the Charity should undertake.
Trustees
The following persons served as Trustees during the year:
K Dougherty
O Nuga (appointed 25 June 2025)
R Mather
R Perdik
M Qureshi (appointed 25 June 2025)
T Ali (resigned 27 November 2024)
K Dubois
B Mamuini (resigned 21 April 2024)
S Eskias (appointed 27 November 2024)
L Naruse
Achievements and performance

Introduction

This report is prepared by the Trustees of Northern Roots to accompany the annual accounts. It outlines our activities, achievements, challenges, and financial position during the reporting period
Programming

Overview of Activities

Northern Roots delivered a dynamic programme of development and performance throughout 2024–25. Highlights included:

• Showcase Concerts: Four concerts at Pilgrim, Newcastle, plus three large-scale MOBO Fringe events (two at The Glasshouse International Centre for Music and one at The Grove, Byker), featuring Northern Roots associate artists performing to new audiences and engaging sector leaders.

• Education in Schools: In partnership with the Newcastle Branch of the North East Music Hub, we delivered 17 sessions on the history of Black Music and creative songwriting to over 1,000 young people. Four trainee facilitators shadowed the lead facilitator, gaining valuable experience in education delivery.

• Community Programmes: Collaborations with Tyneside Cinema and GLOW Cultural Education Partnership brought screen, dance, and music projects to six community settings, led by four Black creatives.

• Mentoring and Artist Development: Ongoing support for young artists through mentoring relationships with Rob Rez (Only Grind Studios), Kema Kay, and Kay Greyson. Bi-weekly studio sessions provided progression routes into Loft Music Studios.
Programme Expansion: Liverpool

• We expanded our work into Liverpool, exploring the legacy of Black musicians from the 1960s and their influence on popular music culture. Led by Kema Kay, Adam Collerton and Georgia May, the project is capturing survivor testimonies through filmed interviews and portraits by Liverpool photographer Ean Flanders. These portraits, alongside short films created by emerging Black Liverpool filmmakers Zion Joshua and Ruben Landim, will form an exhibition which will show at the Victoria Gallery at Liverpool University. The programme is delivered in partnership with Toxteth community group Mandela8, ensuring strong local collaboration and impact. The programme epitomises Northern Roots dedication to raising the voices of Black and Minoritised artists, supporting high quality artistic expression and consistent high quality mentoring for emerging creatives.

Impact

• 50 artists employed across programmes.
• 1,150 young people engaged in workshops.
• Showcase concerts reached approximately 300 attendees.
• MOBO Fringe events attracted audiences of around 1,000.

This activity strengthened visibility for Black music in the North East and created pathways for emerging talent.

Innovation

Strategic partnerships enabled a holistic programme of mentoring, education, and outreach. By embedding trainee facilitators and community-led projects, Northern Roots ensured both sustainability and relevance.
Future Plans

In 2025–26, Northern Roots will consolidate these achievements by:
• Sustaining supportive artistic spaces and mentoring relationships.
• Building on the momentum of the MOBOs to further amplify Black music and musicians in the region.
• Expanding education and outreach programmes to deepen community impact.
Jumpin’ Hot Club Programming

In 2024–25 Jumpin’ Hot Club (JHC) delivered a landmark programme that combined touring innovation with strong local activity.

• Jumpin’ Hot Revue Tour: After six months of preparation, JHC launched its first small UK tour in September to mark the forthcoming 40th anniversary. The “Jumpin’ Hot Revue” featured Martin Stephenson, Rob Heron, Errant Moose, Rupert Hughes, and Shipcote, performing both solo sets and collaborative ensembles across Sheffield, London, Warwickshire, Bath, Leamington Spa, Glasgow, Newcastle, and Durham. Venue fees covered all costs, and reviews praised the tour for “spreading joy and musical spirit far and wide.”

• Country Cantina Festival: The 11th edition took place in Easington, Co. Durham, with 12 artists across two days. Despite poor weather, strong bar takings offset slower ticket sales. Highlights included Diana Jones’ Appalachian folk resonating with local mining heritage, and Lady Nade’s Nina Simone tribute.

• Audience Growth: Attendance increased following publication of Jumpin’ Hot Club: Where Good Music Belongs, with all shows selling out in Jan/Feb 2025—a first in JHC’s history.

• Venues and Residencies:

o Central Bar, Gateshead: Six near-capacity shows, including Nat Myers, Amanda Ann Platt, and Peter Bruntnell.

o Gosforth Civic Theatre: Ten shows, including Kathryn Williams’ album launch, Errol Linton’s Reggae Blues, The Delines’ sell-out standing show, and Aurora Strings with Shipcote.

o Cluny2 & The Cluny: Twenty-two gigs featuring Martha Spencer, Chuck Prophet, Otis Gibbs, Emily Barker, and Nora Brown & Stephanie Coleman.
o The Globe: Hosted artists such as Jenny Connors, Angel Snow, Elaine Palmer, and Sam Lewis, though operational challenges led JHC to explore alternatives.

o Little Theatre, Gateshead: Annual show with Boo Hewerdine and Heidi Talbot, supported by new chair Eddie.


Overall, JHC maintained and expanded its audience base post-Covid, delivering a varied, high-quality programme across multiple venues. The year demonstrated resilience, innovation, and strong community engagement, laying foundations for future projects and the 40th anniversary celebrations.
Fundraising
Income Generation

Northern Roots continues to build strong relationships with funders to deliver creative programmes that drive social change in partnership with our stakeholders. Despite operating in an increasingly precarious grassroots music environment, the trust and loyalty earned through nearly 40 years of programming has enabled us to sustain a vibrant programme of events, artist development, engagement, and leadership initiatives.

Major Funders and Supporters

We are grateful for the continued support of Lloyds Foundation, Youth Music, and the Community Foundation. Their investment ensures our programmes remain fit for purpose, impactful, and responsive to the needs of the communities and stakeholders we serve. This support has created tangible change for participants, partners, and audiences, strengthening our role as a trusted organisation in the region.
Plans for Sustainability

Northern Roots is committed to long-term resilience. We regularly review our operations and embed efficiencies, working closely with partner venues, organisations, artists, and audiences to ensure our work remains relevant and financially sustainable. Our approach includes:

• Diversifying fundraising streams and strengthening donor relationships.

• Expanding reach and engagement through inclusive marketing, social media, and outreach.

• Collaborating with industry partners to ensure programming fills genuine gaps and meets community needs.

• Pooling resources with partners to deliver high-quality programmes cost-effectively.

This strategy ensures that Northern Roots can continue to deliver meaningful cultural work while maintaining financial stability in a challenging sector landscape.
Engagement and Outreach

Community Connections

In 2024–25 Northern Roots deepened partnerships with organisations including We Make Culture, Help Musicians, Sister Shack CIC, Cultural Freelancers CIC, and Pilgrim. We also strengthened ties with the North East Music Hubs, delivering partnership programmes across Newcastle schools as part of the MOBO Awards Fringe. As a lead partner in the Fringe, we ensured Black North East artists were central to programming and sector conversations.

Audience Development

Working with partner venues and their marketing teams, we maintained strong reach and visibility. By increasing content and collaborating directly with artists, we expanded audiences and engagement. Through leadership development, we supported Kema Kay and Kay Greyson to access industry spaces, advocate for themselves, and represent the wider community.
Advocacy and Visibility

Northern Roots remained active in regional and national policy discussions. Kay Greyson contributed to the Music City Advisory Board, while Leila d’Aronville engaged with the North East Combined Authority, the North East Music Hub advisory board, and the What Next? Leadership group. These roles ensured Northern Roots’ voice was present in shaping cultural policy and practice.

Evaluation

Operating at both grassroots and strategic levels, Northern Roots continues to be agile within the industry while providing a safe, inclusive space for artists and audiences. Our work supports sector development with value, access, and equity at its core.
Leadership

Staff and Volunteers

In 2024–25, Kema Kay and Kay Greyson participated in the Hold the Door Open leadership programme, designed to empower grassroots and freelance creatives to channel their leadership potential. This experience helped refine their roles within Northern Roots: Kay Greyson now leads on Policy and Strategy, while Kema Kay focuses on Community and Engagement. Both roles nurture the strengths of the team and extend the organisation’s reach.

Safeguarding and Inclusivity

Northern Roots has strengthened its safeguarding framework, ensuring all trustees and staff are fully trained and supported by clear, robust structures and review processes. Working with regional partners such as We Make Culture, we have embedded policies that safeguard everyone connected to the organisation and foster safer, more inclusive spaces for artists, staff, and audiences.

Strategic Direction

As Northern Roots approaches its 40th anniversary, succession planning and leadership development remain priorities. We are committed to nurturing Black and Global Majority artists and creatives and those who are lesser represented in music and culture, ensuring they are equipped to lead within the sector. This work will continue into the coming year, building the next generation of Northern Roots and shaping a cultural landscape that reflects equity, resilience, and shared vision.
Challenges

Northern Roots continues to operate in a complex and often hostile environment for grassroots cultural organisations.

• Sector Pressures: The grassroots music sector remains precarious, with rising costs, limited resources, and increasing demands on organisations to deliver more with less. Sustaining high-quality programming while maintaining financial stability requires constant adaptation and efficiency.

• Community Division: We exist in a wider climate of division, where communities across the North East and the UK are experiencing heightened polarisation. This has been compounded by incidents of racist violence in our region and nationally, which have created fear and insecurity for many of the communities we serve.

• Response and Resilience: These challenges underscore the importance of Northern Roots’ work in building safe, inclusive spaces and fostering cohesion through culture. By centring Black and Global Majority artists and communities, we actively counter narratives of division and provide platforms for resilience, creativity, and solidarity.

• Learning and Adaptation: We continue to learn from these challenges, embedding safeguarding, equity, and advocacy into our practice. Our commitment is to remain responsive, ensuring that Northern Roots not only survives but thrives as a beacon of cultural unity in difficult times.
Financial Position
Summary of Accounts

Headline figures for income, expenditure, and reserves are provided in the accompanying accounts. As a small organisation, Northern Roots experiences natural fluctuations between periods of delivery and planning/consultation, which can result in uneven patterns of expenditure versus income. These cycles ensure that programmes remain well resourced and commitments to artists and young people are consistently met, even when outgoings temporarily exceed incoming funds.

Key Trends

Our financial model reflects the realities of grassroots cultural work, where funding receipts and delivery schedules do not always align. Despite this, we have maintained strong programme delivery and continued to prioritise investment in artists, young people, and community engagement.

Reserves Policy

It is the charity’s policy to maintain unrestricted reserves equivalent to three months’ expenditure. Due to changes in funding sources and the timing of receipts, this has not always been achievable while pursuing our aims and objectives. Over the past year, fundraising and financial planning have focused on securing longer-term programme funding and building reserves to meet this target. Core costs have been carefully reviewed, with efficiencies achieved through remote working and scrutiny of non-salary expenditure. We continue to seek core funding and unrestricted income to strengthen resilience.
Future Outlook

Our fundraising strategy will prioritise both core and project funding that supports Northern Roots’ mission while enabling innovation in practice. Alongside business development support, this approach will underpin a more sustainable financial model, ensuring the organisation can continue to deliver meaningful cultural and social impact in a challenging sector environment.

Conclusion

The Trustees confirm that Northern Roots continues to deliver its charitable objectives, strengthen its impact, and remain committed to equity, inclusion, and community transformation
Small company provisions
This report has been prepared in accordance with the provisions in Part 15 of the Companies Act 2006 applicable to companies subject to the small companies regime.
This report was approved by the board on 12 December 2025 and signed by its order.
R Perdik K Dougherty
Chairman Secretary
Northern Roots
Independent examiner's report on the accounts
Report to the trustees, directors & members of Northern Roots on accounts for the year ended 31 March 2024 Set out on pages 1 to 9 of the financial statements.

Charity no.: 1088823 Company no.: 03539586
Responsibilities and basis of report
I report to the charity trustees on my examination of the accounts of the Company for the year ended 31/03/2024. As the charity’s trustees of the Company (who are also the directors of the company for the purposes of company law), you are responsible for the preparation of the accounts in accordance with the requirements of the Companies Act 2006 (“the 2006 Act”). Having satisfied myself that the accounts of the Company are not required to be audited for this year under Part 16 of the 2006 Act and are eligible for independent examination, I report in respect of my examination of your charity’s accounts as carried out under section 145 of the Charities Act 2011 (“the 2011 Act”). In carrying out my examination, I have followed the Directions given by the Charity Commission (under section 145(5)(b) of the 2011 Act.
Independent examiner's statement
I have completed my examination. I confirm that no material matters have come to my attention which gives me cause to believe that:
• accounting records were not kept in accordance with section 386 of the Companies Act 2006; or
• the accounts do not accord with such records; or
• the accounts do not comply with relevant accounting requirements under section 396 of the Companies Act 2006 other than any requirement that the accounts give a ‘true and fair’ view which is not a matter considered as part of an independent examination; or
•the accounts have not been prepared in accordance with the Charities SORP (FRS102).

I have no concerns and have come across no other matters in connection with the examination to which attention should be drawn in this report in order to enable a proper understanding of the accounts to be reached.
Bell Anderson Limited
Chartered Accountants
Lindum
264-266 Durham Road
Gateshead
Tyne and Wear
NE8 4JR
12 December 2025
Northern Roots
Statement of Financial Activities
for the year ended 31 March 2025
Notes Unrestricted Restricted
funds funds 2025 2024
£ £ £ £
Income from
Donations and legacies 3 - - 72
Charitable activities 4 71,043 49,997 121,040 121,895
Other trading activities 5 48,605 48,605 33,759
Other operating income - - -
119,648 49,997 169,645 155,726
Expenditure on
Raising funds 6 58,241 58,241 52,749
Charitable activities 7 53,277 99,680 152,957 74,307
Total Expenditure 111,518 99,680 211,198 127,056
Net (expenditure)/income before transfers 8,130 (49,683) (41,553) 28,670
Net (Expenditure)/income for the year/Net movement in funds 8,130 (49,683) (41,553) 28,670
Fund balances at 31 March 2024 670 94,691 95,361 114,001
Fund balances at 31 March 2025 8,800 45,008 53,808 142,671
Northern Roots
Registered number: 03539586
Balance Sheet
as at 31 March 2025
Notes 2025 2024
£ £
Fixed assets
Tangible assets 8 1,981 2,198
Current assets
Cash at bank and in hand 58,332 96,776
Creditors: amounts falling due within one year 9 (6,505) (3,613)
Net current assets 51,827 93,163
Net assets 53,808 95,361
Funds
Restricted funds 45,008 94,691
Unrestricted funds 8,800 670
Total funds 53,808 95,361
The Directors are satisfied that the company is entitled to exemption from the requirement to obtain an audit under section 477 of the Companies Act 2006.
The members have not required the company to obtain an audit in accordance with section 476 of the Act.
The Directors acknowledge their responsibilities for complying with the requirements of the Companies Act 2006 with respect to accounting records and the preparation of accounts.
The accounts have been prepared and delivered in accordance with the special provisions applicable to companies subject to the small companies regime. The profit and loss account has not been delivered to the Registrar of Companies.
R Perdik
Chair
Approved by the board on 12 December 2025
Northern Roots
Notes to the Accounts
for the year ended 31 March 2025
1 Accounting policies
Basis of preparation
The accounts have been prepared under the historical cost convention and in accordance with FRS 102, The Financial Reporting Standard applicable in the UK and Republic of Ireland (as applied to small entities by section 1A of the standard).
Turnover
Turnover is measured at the fair value of the consideration received or receivable, net of discounts and value added taxes. Turnover includes revenue earned from the sale of goods and from the rendering of services. Turnover from the sale of goods is recognised when the significant risks and rewards of ownership of the goods have transferred to the buyer. Turnover from the rendering of services is recognised by reference to the stage of completion of the contract. The stage of completion of a contract is measured by comparing the costs incurred for work performed to date to the total estimated contract costs.
Tangible fixed assets
Tangible fixed assets are measured at cost less accumulative depreciation and any accumulative impairment losses. Depreciation is provided on all tangible fixed assets, other than freehold land, at rates calculated to write off the cost, less estimated residual value, of each asset evenly over its expected useful life, as follows:
Fixtures, fittings, tools and equipment 20% reducing balance
Debtors
Short term debtors are measured at transaction price (which is usually the invoice price), less any impairment losses for bad and doubtful debts. Loans and other financial assets are initially recognised at transaction price including any transaction costs and subsequently measured at amortised cost determined using the effective interest method, less any impairment losses for bad and doubtful debts.
Creditors
Short term creditors are measured at transaction price (which is usually the invoice price). Loans and other financial liabilities are initially recognised at transaction price net of any transaction costs and subsequently measured at amortised cost determined using the effective interest method.
Provisions
Provisions (ie liabilities of uncertain timing or amount) are recognised when there is an obligation at the reporting date as a result of a past event, it is probable that economic benefit will be transferred to settle the obligation and the amount of the obligation can be estimated reliably.
Pensions
Contributions to defined contribution plans are expensed in the period to which they relate.
2 Employees 2025 2024
Number Number
Average number of persons employed by the company 3 3
Employment Costs 2025 2024
£ £
Wages and salaries 49,071 47,991
3 Donations and legacies 2025 2024
£ £
Donations & gifts - 72
- 72
All donations for 2023 are unrestricted
4 Charitable activites 2025 2024
£ £
Restricted Funds
Community Foundation 5,000 7,500
BFI 9,197 -
National Foundation Youth Music 13,500 37,320
Restricted Grants - NE Screen 5,600 -
Virgin - 5,700
Core Projects 16,700 -
49,997 50,520
2025 2024
£ £
Unrestricted Funds
Unrestricted income - Merchandising etc 840 3,695
Unrestricted Core Grants 69,203 67,680
Unrestricted grants - Other Projects 1,000 -
71,043 71,375
5 Other trading activities 2025 2024
£ £
Ticket sales 48,605 33,759
48,605 33,759
6 Raising funds 2025 2024
£ £
Bank charges 226 203
Accountancy fees 4,089 3,600
Adverts 614 23
Artists 1,475 -
Depreciation 217 -
Insurance 508 -
Mentoring costs 1,200 -
Other legal and professional 34 65
Printing, postage and stationery 4 14
Rent 25 -
Subscriptions 288 288
Sundries 123 43
Software and IT 417 522
Travel and accommodation (50) -
Wages 49,071 47,991
58,241 52,749
7 Charitable activities
2025 2024
£ £
Unrestricted activities
Artists, Support fees & Riders - JHC 42,050 22,831
Advertising - JHC 1,738 4,908
Mentoring costs - JHC 236 -
Travel and subsistence - JHC 3,996 3,482
Travel and subsistence - BFI 678 -
Venue Hire - JHC 2,328 3,272
Video & Sound Engineering - JHC 1,150 1,300
Motor Expenses - JHC 684 -
Postage - JHC 39 -
Sundry - JHC 30 -
Bank charges - JHC 8 -
Software - JHC 340 -
53,277 35,793
7 Charitable Activities (continued) 2025 2024
£ £
Restricted activities
Mentoring Costs - Community 200 5,040
Mentoring Costs - BFI 1,070 -
Mentoring Costs - Youth Music 43,090 17,800
Mentoring Costs - Other Projects 7,895 5,000
Mentoring Costs - Wellbank - 900
Mentoring costs - Schools work 2,550 -
Mentoring Costs- Sadlers Wells - 400
Artists,Support fees & Riders - BFI 2,030 -
Artists,Support fees & Riders - Community foundation 700 1,020
Artists,Support fees & Riders - Wellbank - 530
Artists,Support fees & Riders - Youth Music 6,365 1,020
Artists,Support fees & Riders - Other 6,446 637
Artists, Support fees & Riders - JHC 2,385 -
Artists, Support fees & Riders - NE Screen 500 -
Advertising - JHC 2,307 -
Advertsiing - Other projects 178 1,236
Venue Hire - Youth Music 1,267 -
Venue Hire - Other projects 1,049 40
Video & Sound Engineering - Youth Music 2,100 1,830
Video & Sound Engineering - BFI 4,371 -
Video & Sound Engineering - Community Foundation - 335
Video & Sound Engineering - Shears - 1,080
Video & Sound Engineering - Other projects 240 358
Video & Sound Engineering - JHC 120 -
Video & Sound Engineering - MLK 600 -
Video & Sound Engineering - NE Screen 600 -
Consultancy - Community Foundation - 300
Consultancy - Other Projects 4,875 -
Consultancy fees - Youth Music - 700
Software - BFI 66 -
Sundry - Youth Music 57 52
Sundry - BFI 231 -
Postage - Other - 186
Subscriptions - Other - 50
Travel - BFI 1,429 -
Travel - Youth Music 1,425 -
Travel - NE Screen 112 -
Travel - Other Projects 422 -
Wages and salaries - Community Foundation 5,000 -
99,680 38,514
8 Tangible fixed assets
Fixtures and fittings
£
Cost
At 1 April 2024 12,031
At 31 March 2025 12,031
Depreciation
At 1 April 2024 9,833
Charge for the year 217
At 31 March 2025 10,050
Net book value
At 31 March 2025 1,981
At 31 March 2024 2,198
9 Creditors: amounts falling due within one year 2025 2024
£ £
Trade creditors 2,532 1,041
Taxation and social security costs 3,644 2,966
Other creditors 329 (394)
6,505 3,613
10 Restricted funds Balance at Incoming Resources Balance
1 April 2024 Resources Expended 31 March 2025
£
Community Foundation 28,596 5,000 900 32,696
BFI 9,197 9,197 -
Other Projects 19,105 16,700 29,067 6,738
The Shears Foundation - -
NE Screen 5,600 1,212 4,388
National Foundation Youth Music 46,990 13,500 54,304 6,186
94,691 49,997 94,680 50,008
11 Other information
Northern Roots is a private company limited by guarantee without share capital and incorporated in England. Its registered office is:
Office 44
63 High Bridge
Newcastle upon Tyne
Tyne and Wear
NE1 6BX
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