for the Period Ended 28 February 2025
| Balance sheet | |
| Additional notes | |
| Community Interest Report |
As at
| Notes | 13 months to 28 February 2025 | ||
|---|---|---|---|
|
|
£ |
||
| Fixed assets | |||
| Intangible assets: |
|
||
| Tangible assets: |
|
||
| Investments: |
|
||
| Total fixed assets: |
|
||
| Current assets | |||
| Stocks: |
|
||
| Debtors: |
|
||
| Cash at bank and in hand: |
|
||
| Investments: |
|
||
| Total current assets: |
|
||
| Prepayments and accrued income: |
|
||
| Creditors: amounts falling due within one year: |
|
||
| Net current assets (liabilities): |
|
||
| Total assets less current liabilities: |
|
||
| Creditors: amounts falling due after more than one year: |
|
||
| Provision for liabilities: |
|
||
| Accruals and deferred income: |
|
||
| Total net assets (liabilities): |
|
||
| Members' funds | |||
| Profit and loss account: |
|
||
| Total members' funds: |
|
The notes form part of these financial statements
The directors have chosen not to file a copy of the company's profit and loss account.
This report was approved by the board of directors on
and signed on behalf of the board by:
Name:
Status: Director
The notes form part of these financial statements
for the Period Ended 28 February 2025
Basis of measurement and preparation
for the Period Ended 28 February 2025
| 13 months to 28 February 2025 | ||
|---|---|---|
| Average number of employees during the period |
|
NP & Joy CIC was established to create and present cultural productions that preserve and promote Central and Eastern European operetta heritage, with a particular focus on Hungarian traditions. The company’s principal activity has been the creation and delivery of an operetta-based stage production, which has been performed at the Edinburgh Festival Fringe on 25 occasions. During this period, the company’s activities have benefited the community in the following ways: Hungarian and wider Eastern European communities in the UK and internationally have been supported in keeping their operetta heritage alive, strengthening cultural identity and intergenerational connection through live performance Western and international audiences at the Edinburgh Festival Fringe have been introduced to Hungarian and Eastern European operetta traditions, increasing cultural understanding and appreciation across communities Ticket pricing was deliberately set at an accessible level, ensuring that performances were affordable to a wide audience, including those who might otherwise face financial barriers to attending live theatre The company successfully secured external funding to make the production possible, reducing financial risk and enabling high-quality performances while maintaining accessibility and community focus The production created performance and creative opportunities for artists and collaborators connected to Eastern European cultural traditions, supporting cultural practitioners and sustaining specialist art forms
No consultation with stakeholders
No remuneration was received
No transfer of assets other than for full consideration
This report was approved by the board of directors on
1 November 2025
And signed on behalf of the board by:
Name: Norbert Potornai
Status: Director