Organisational Transition and Building Redevelopment
2025 was a year of strategic transition. Following seventeen years of continuous public access, the charity's premises at 226 Cromwell Road closed for a major renovation intended to expand and reimagine the organisation's exhibition, events, learning, bookshop and outdoor spaces. A new rent-free rental agreement was signed with the building's owners, Colebrook Properties Ltd, under which the charity is responsible for maintenance, rates, utilities and insurance.
While the building was closed, the charity delivered an offsite programme of creative learning projects, events and publications, and laid the groundwork for new onsite programming from 2026.
Essential fire safety upgrades delayed completion of the building works, pushed the reopening date, which moved from an original target of mid-November 2025 to 18 February 2026. A new brand identity and website, developed with design studio Pentagram, was substantially completed during the year ahead of the relaunch, alongside a communications and PR strategy delivered with agency The Sugar Factory.
Visual Arts
Alongside settling back into the building in late 2025, the team progressed multiple key projects, including production for the upcoming exhibition by artist Bouchra Khalili and the development of our permanent commission in the welcome space Four Moons from Home by Palestinian artist Dima Srouji. Funding of £21,493 was received from Art Fund for this commission. Fitting of the Salon events space and the Sound Capsule (including technical equipment) furthered programming plans for the building’s reopening on 18 February 2026.
Public Programme
Many offsite public and learning programmes took place over the course of 2025. In January 2025, the charity marked the conclusion of the artist-led strand of its Mujaawarah project, common/play\grounds, with a new performance, lip service, staged in partnership with PEER gallery. A second Mujaawarah strand was delivered with ten women from the Iraqi Women's League, in partnership with the Dalgarno Trust, comprising six ceramics workshops led by artists Kwame Lowe and Niyma Murru, hosted with venue partner Leighton House Museum and concluding with a community barbecue and pottery firing at the Soanes Centre.
Two residencies were delivered in collaboration with Bosla Arts. Visa denials required the original programme format to be reworked into one virtual and one in-person residency: Shahd Itbakhi completed a three-month virtual course with the Royal Drawing School, and Rand Hamdallah undertook a six-month in-person residency in London, introduced to the organisation's network through a welcome breakfast with new collaborator House of Anetta. In December 2025, Bosla Arts hosted an exhibition of the resulting work at House of Anetta.
A curatorial collaboration with Chelsea College of Arts' MA Curating and Collections continued for a third year, introducing around 60 students to the organisation, with 20 students subsequently developing curatorial proposals inspired by the forthcoming Bouchra Khalili exhibition.
The multidisciplinary project War-Torn Ecologies: Resistant Worlds continued through an institutional partnership with Beirut Art Center, examining the ecological consequences of colonial and military intervention. Its film programme was re-screened at Cairotronica in Cairo (47 attendees), at the Museum of Contemporary Art Metelkova in Ljubljana, and at the Island School of Social Autonomy in Vis, Croatia. A related digital publication, Dignified Life: Outliving Impossible Ecologies, brought together twelve commissioned contributions on ecologies across Lebanon, Syria and Palestine, developed with an editor, translators and design studio Studio Kawakeb, and made freely available in English and Arabic. It launched at Beirut Art Center in September 2025 to an audience of 75, generated 55,860 social media engagements.
Creative Learning
Creative Learning activity centred on four strands and took place offsite across 2025: Yalla Let's Play (quarterly art and play sessions for refugee families in local hotels); Play Lab (multi-sensory family workshops); Young Collective (artist-led sessions for young people from the Global Majority); and Assemblies (artist residencies within schools).
Yalla Let's Play delivered three sessions in April, July and October 2025, reaching 60 children and adults, in partnership with charity Unfold, RBKC Early Help, local hotel providers and the V&A's Creative Learning team. The April session, held in Hammersmith, marked the first involvement of an art therapist, strengthening the programme's trauma-informed approach. The programme has built trust between families and local services and created a foundation for further collaboration and referral pathways; priorities for 2026–2028 include expanding frequency and locations, strengthening parent leadership and deepening partnerships.
The Young Collective programme for 18–25-year-olds ran from April to November 2025 with 22 participants, recruited through returning membership, partner organisation CARAS and open call. Across ten workshops led by artist Jacob V Joyce, and site visits to venues including Bold Tendencies, Glengall Wharf Garden, The Showroom and Gasworks, participants explored embodied practice, alternative knowledge systems and ecological relationships to land.
Assemblies work with secondary schools began with Harris Girls Academy East Dulwich, running from October to December 2025. Working with artist Felix Taylor on graphic scoring methods, sessions explored how schools might become spaces of creative freedom, with average attendance of 13–15 young people across four sessions.
Preparatory work continued during the year on the charity's first dedicated learning space, the Play Room, the Tiny Fridays programme, and on the next iteration of Play Lab (themed around light, inspired by the legacy of Dia Batal), due to launch as a series of workshops in 2026.
Partnerships
While its premises were closed for refurbishment, the charity worked with an extensive network of partners to sustain offsite programming, including PEER gallery, Another Sky Festival, Dalgarno Trust, Leighton House Museum, Soanes Centre, Bosla Arts, House of Anetta, Beirut Art Center, Cairotronica, the Museum of Contemporary Art Metelkova (Ljubljana) and Museum of African Art (Belgrade), the Island School of Social Autonomy (Vis, Croatia), Studio Kawakeb, CARAS, Unfold, RBKC Early Help, local hotel providers, V&A South Kensington, Gasworks, Bold Tendencies, Glengall Wharf Garden and Harris Girls Academy.
Press and Publishing
Press coverage was limited during the year, reflecting the reduced onsite programme during closure. Coverage and contributions included an interview about the Constellations of Multiple Wishes project, a British Council Tunisia feature on a play-based residency workshop, and contributions by curatorial staff and Trustee Akil Scafe-Smith to the forthcoming publication Epistemic Imaginaries – Learning as Festivity. The publication Solidarity's Hinges: Tools, Porosity and Urgent Hands, documenting the 2024 Tools for Solidarity project with children in London and Ramallah, launched in Rotterdam in April 2025. Dignified Life: Outliving Impossible Ecologies (mentioned above in Public Programmes) was published digitally in 2025. A collaboration with Bookworks for a book launch of Bouchra Khalili’s English language version of the publication related to The Circle project was confirmed to take place in Spring 2026.
Residencies and Professional Development
Curatorial staff undertook a number of external residencies and professional development programmes during the year: a research residency at the Irish Museum of Modern Art exploring Ireland–Palestine solidarity; a play-based residency with Mouhit Space in Tunis, supported by the British Council; participation in the Safe Access Museum and Heritage Cohort, a National Lottery Heritage Fund-supported programme on trauma-informed practice in the heritage sector; and participation in the nomadic Summer School Revolutionary Roads, Destination: Comradeship across Ljubljana, Belgrade and Podgorica.
Bookshop
While the bookshop was closed, its public reach was increased by participating in eight book and zine fairs during the year, in London and internationally, including the Beirut Art Book Fair. Staff took part in public panels and presentations on diasporic reading rooms and independent Arab and South Asian publishing, including a well-attended online event (110 attendees) as part of the Asymmetry Art Foundation's Librarians-in-Residence programme. A bookshop retail consultant was engaged to develop a comprehensive retail strategy and business plan for relaunch, including streamlined stock and ordering processes and stronger relationships with distributors.
Wider Organisational Update (Autumn 2025)
The handover between outgoing Director Rachael Jarvis and incoming Director Pip Day took place in September and October 2025. The Board worked closely with legal advisers and AMQF to finalise the charity's transfer and grant agreement, while architects and landscape architects progressed the building refurbishment. Further financial process improvements were introduced, including invoicing via Xero and a new bank account with the Co-operative Bank.
On 17 October 2025, the new charity was formally registered with the Charity Commission and Companies House, and the TUPE transfer of staff was completed, alongside a transition of the staff pension scheme to a new provider.
Programming work in this period included continued production for the Bouchra Khalili exhibition and the Dima Srouji commission, and development of the Salon and Sound Capsule spaces, including a fourth year of collaboration with Chelsea College of Arts on a new Curatorial Research Lab exploring sound and radio transmission. Curatorial staff and a trustee were invited to the Epistemic Futures programme in Rotterdam, and the War-Torn Ecologies film programme was presented in Croatia to a combined audience of over 150. The Board and AMQF agreed to resume the Edward Said London Lecture in 2026, following its suspension in 2025.